Lastly, if you want to buy Media Composer outright, it’s $1,300. Avid is $75 versus $30 for Adobe on the month to month payment option, though you can get an annual contract for either and save some money. Media Composer 8 can be either leased, like with Premiere Pro CC17, or it can be bought like Final Cut Pro X. Avid is known for a speedy workflow, but can sometimes suffer from being too rigid. Adobe has also improved audio effects including adaptive noise reduction, dynamics processing, parametric equalizer, automatic click remover, studio reverb, analog delay, chorus/flanger, dehummer, guitar suite, phaser, single band compressor, tube modeled compressor, vocal enhancer and multi-band compressor.Īvid Media Composer 8 is a great option and has been around for a long time. Premiere now supports native export of QT DNxHD / DNxHR. Just Install a trial version or in render-only/non-royalty-bearing mode, and they will work.Īnd now with new live text templates, you can directly edit the text within a graphic, taking away the need to work directly inside After Effects. Plus, they can be used without requiring an After Effects license. And now with new live text templates, you can directly edit the text within a graphic, taking away the need to work directly inside After Effects. This gives you new ways to customize the keyboard. Plus, you’ll see refined Lumetri color tools like new color pickers and support for HDR10 metadata workflows.Īnother helpful update is the visual keyboard shortcut mapping. You are able to add a metadata flag that tells video players, like on YouTube or Facebook to recognize the media as 360 content. With Premiere, there are subtle but strong new updates like new VR support that will Auto-detect if VR media is monoscopic, stereoscopic and others. And if you’re thinking of changing from another platform, we’re going to explain it how it works so you can choose for yourself. Let's talk about what to expect with the newest update and why you may or may not want to install it. Why submit yourself to having to relearn how to use your tool when how it currently works suits your work just fine? I support that thought, but thankfully Adobe has made their updates far less shocking to the user than they were back in the Creative Suite days. Until I had a good argument for why the update was necessary, I just didn't do it. Prior to working for Videomaker I, much like many of you, feared updates. If there are growing pains from the change, we’ ll feel them for you so you can bypass the discomfort. Here at Videomaker, when there is a new update, we convert right away. Don’t worry though, even though we are going to talk only about Premiere Pro and After Effects, there is still plenty to talk about. The newest update to the Adobe Creative Cloud is rich with changes and covers many programs, but we’re going to keep it relevant to our focus and talk about all of the changes to CC’s video applications.
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